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	<title>Tomorrow Things</title>
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		<title>Process &amp; Product</title>
		<link>http://www.tomorrowthings.com/process-product/</link>
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		<pubDate>Sun, 02 Jun 2013 17:57:54 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=999</guid>
		<description><![CDATA[Sometimes I can&#8217;t tell if the making of Kubrick&#8217;s 2001 is more impressive than the film itself. The psychedelic ending with its Nietzschean übermensch aspirations risks the same annihilating consequences any zealous, near-fascist creator faces. How did he end up there, and how did he pitch his vision &#8230; to himself? I remember reading somewhere [...]]]></description>
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		<title>Today Things: Diptychs</title>
		<link>http://www.tomorrowthings.com/today-things-diptychs/</link>
		<comments>http://www.tomorrowthings.com/today-things-diptychs/#comments</comments>
		<pubDate>Thu, 09 May 2013 23:30:29 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=982</guid>
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		<title>Recently</title>
		<link>http://www.tomorrowthings.com/recently-3/</link>
		<comments>http://www.tomorrowthings.com/recently-3/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 02:40:00 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=917</guid>
		<description><![CDATA[Unfinished journal entry that already said it all, &#8220;22 hours later in rainy La Paz,&#8221; and most magical adventure to date, where the most important language was voiceless. • I ain&#8217;t going down to the well no more. • This, this, and this, too. • Baudelaire defined genius as &#8220;childhood regained at will.&#8221; • Also, [...]]]></description>
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		<title>November, Washes, and F. Scott</title>
		<link>http://www.tomorrowthings.com/november-washes-and-f-scott/</link>
		<comments>http://www.tomorrowthings.com/november-washes-and-f-scott/#comments</comments>
		<pubDate>Tue, 27 Nov 2012 05:34:07 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=920</guid>
		<description><![CDATA[1. In its flatness, the Southwest provides what the dusty hills of Los Angeles cannot: centrality. You are here, and the Southwest&#8217;s here is always located nowhere, but already everywhere. Distance collapses into you and yet everything is expansive and abundantly distanced. The Southwest gives you to yourself to tinker around its landscape and embrace [...]]]></description>
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		<title>Frontiers: Visions and Power</title>
		<link>http://www.tomorrowthings.com/frontiers-visions-and-power/</link>
		<comments>http://www.tomorrowthings.com/frontiers-visions-and-power/#comments</comments>
		<pubDate>Mon, 03 Sep 2012 01:16:00 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Long]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=860</guid>
		<description><![CDATA[The contingent world and the problematic individual are realities which mutually determine one another. – Georg Lukács An immanent ideal that provokes unlivable experience becomes the subject of freedom and terror for a number of films in the 1970s. Picnic at Hanging Rock, a 1975 film by Australian Peter Weir, is most emblematic of this. [...]]]></description>
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		<title>Striptease</title>
		<link>http://www.tomorrowthings.com/striptease/</link>
		<comments>http://www.tomorrowthings.com/striptease/#comments</comments>
		<pubDate>Mon, 27 Aug 2012 02:01:01 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=832</guid>
		<description><![CDATA[Roland Barthes’ Striptease disrobes Parisian culture from its own beautifully mystifying rhetoric quickly in three pages—or at least the 1957 text illuminates the device that makes possible a living rhetoric. Striptease negotiates signs of eroticism in moments of ritual: spectacle and interior voyeurism. The text is less about pointing at the use of words or [...]]]></description>
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		<title>Lift Off</title>
		<link>http://www.tomorrowthings.com/lift-off/</link>
		<comments>http://www.tomorrowthings.com/lift-off/#comments</comments>
		<pubDate>Sun, 26 Aug 2012 04:03:57 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=798</guid>
		<description><![CDATA[After waging a big battle with content strategy—firing a team of incredibly talented writers and editors, as well as the dissolution of a unique, internal custom content agency—GOOD will relaunch as a site aiming to help prime discussions and actions around an infinity of worthwhile causes and issues. Regardless of the common fear directed toward [...]]]></description>
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		<title>Recently</title>
		<link>http://www.tomorrowthings.com/recently-2/</link>
		<comments>http://www.tomorrowthings.com/recently-2/#comments</comments>
		<pubDate>Wed, 01 Aug 2012 06:45:35 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=734</guid>
		<description><![CDATA[Six days on the road, feels like seven • It’s over when Minnesota Fats says it’s over • Camus: &#8220;Free yourself from ambition. Create.&#8221; • Buckley&#8217;s Dream Letter has posted • Tumlir&#8217;s dangerous method, Robert Barry, and the plague • But who&#8217;s afraid?]]></description>
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		<title>Memories of Taos</title>
		<link>http://www.tomorrowthings.com/memories-of-taos/</link>
		<comments>http://www.tomorrowthings.com/memories-of-taos/#comments</comments>
		<pubDate>Thu, 14 Jun 2012 03:27:40 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=748</guid>
		<description><![CDATA[I traveled through the Southwest last December, ending the trip in Marfa, Texas. It was my second time visiting Marfa and the sci-fi minimalism of Judd’s paternal expression of America’s historical resilience, the romantic west and its frontier. Having saved the town, literally (with the economy he brought to it as well as successfully acquiring [...]]]></description>
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		<title>Performance Without End Product</title>
		<link>http://www.tomorrowthings.com/performance-without-end-product/</link>
		<comments>http://www.tomorrowthings.com/performance-without-end-product/#comments</comments>
		<pubDate>Wed, 16 May 2012 18:32:27 +0000</pubDate>
		<dc:creator>Keith</dc:creator>
				<category><![CDATA[Short]]></category>

		<guid isPermaLink="false">http://www.tomorrowthings.com/?p=737</guid>
		<description><![CDATA[Paolo Virno on Glenn Gould, Hannah Arendt, Fordism and the Frankfurt School in The Grammar of the Multitude: Serialization, insignificance of individual tasks, the econometrics of feelings: these are the recurrent refrains. Evidently, this critical approach allowed, in the peculiar case of the culture industry, for the continuation of some elements which resist a complete [...]]]></description>
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